đ´Red Lamp Inn: Cycle Four (Part 1)
Comfort you can count on. Rooms you wonât forget.
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đ CAMâ NIGHT 22
I hate this job.
Man after man. Filing in all day.
Degenerates, husbandsâno well-balanced men in these packs.
Most donât make eye contact.
Some crack jokes like that makes it normal.
Some just hand over the cash and nod.
I don't ask questions.
Managementâs rule.
But today.
The guy from across the street walks in.
The one who straightens signs.
Sign Guy.
Iâve seen him out there â quiet shoes, glasses, tucked shirt.
Walks like heâs counting his own steps.
He came in behind Cleo. He stood the perfect distance behind her and her client. Like exactly the perfect distance.
âRoom 9,â he says.
Not âany room.â Not âwhateverâs open.â
Room 10 just got booked. He saw it.
Name on the card said Elliot.
I wanted to ask something.
I shouldâve asked something.
I didnât.
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đ CLEO â NIGHT 22
They love a damsel in distress.
Thatâs how I reeled a new one in today.
A longing look into the stars.
Brushed my hair back like I didnât know anyone was watching.
He pushed right past the other girls.
Practically ate out of my hands.
I didnât even touch him.
Just tilted my head.
Smiled like I wanted to be saved.
By the time we hit the lobby, he was ready to book a suite.
Thatâs when I felt itâ
Not a stare.
A shape.
Somebody behind us.
Not too close.
Not too far.
Just enough to mean something.
I looked up without looking up.
You know that glanceâ
where you check if the person behind you is someone you donât want to deal with.
Sign guy?
Tucked shirt.
Eyes forward.
Not watching me, but not not watching either.
I didnât say anything.
Didnât even let it change my face.
I let it pass. I couldn't let the thought ruin my coming performance.
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đ APT 2B â NIGHT 22
ELLIOT
The TV in the room stayed off.
The room was poorly decorated.
The upkeep was poor.
Crimson red lamp, and sheets.
The floorâonce probably redâhad faded to brown in the high-traffic areas.
I brought my own blanket.
I didnât want to suffer through the motelâs version of âclean.â
I logged the time.
9:12 p.m.
A muffled voice came through the wall.
Male. Indistinct. Laughing.
Then hers. Still muffled. Enough clarity for a tone.
Higher than the window version.
Slower than the walk-up version.
A previously unheard performance variant.
I laid down.
Didnât take notes.
Just listened.